Ip Man 4 (or Ip Man 4: The Finale), is a 2019 Hong Kong martial arts movie, the third sequel to Ip Man, the fifth film in the Ip Man film series and the Grand Finale of the mainline films, starring Donnie Yen once again in the title role.
Seven new films from the Chinese mainland and Hong Kong will screen over the three-day event, which starts today. The festival is presented by the Chinese Movie Channel (CCTV6), the Chinese American Arts Council, the New York Chinese Film Festival Foundation and the Chinese movie download website www.m1905.com.
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NYCFF is a non-profit organization that aims to promote Chinese art and culture through film for an American audience. The films chosen to participate encourage conversation and better understanding between China and the US.
The film is Vicky Wei Zhao's directing debut. Zhao is an actress and pop singer, who starred as the legendary Chinese figure Hua Mulan in Mulan: Rise of a Warrior (2009). She will take part in a question-and-answer session after the screening.
Actor Xiubo Wu will attend the screening for Finding Mr. Right. The film is about a city girl, Jiajia, traveling to Seattle to give birth to the son who is going to help her win over a rich, married boyfriend. Armed with his unlimited credit card and the singular goal of bringing a little US citizen back to Beijing, Jiajia is certain she has it all figured out, until she arrives in Seattle and nothing goes right.
The ever-present Ip Man, who has inspired a number of films about his life, will get his turn once again in Wilson Yip's Ip Man. This story of the legendary Wing Chun kung fu master takes place in Foshan, China, in the 1930s, during the Japanese invasion. General Miura, a fanatical practitioner in martial arts, demands Ip Man teach Wing Chun martial arts to the Japanese Army, but he refuses, and action ensues. Actor Donnie Yen will be present.
Even after the removal of alphanumeric and other information on the images, the FCR image could be differentiated from S/F. This could have resulted in observer bias and is one of the limitations of our study. Such bias is inevitable and may have occurred in the previous studies which studied visibility of normal anatomic features of the chest.7,8 However, it is difficult to differentiate FCR 5501D from FCR 5000 at a glance, hence the likelihood of observer bias is negligible. Another limitation of our study is the limited number of normal subjects. Factors such as degree of inspiration could cause a subtle difference in films of the same patient and could effect an observer's reading. Inclusion of a larger number of subjects could help minimize such influences.
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